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Spanish Roulette Wheel

Spanish Roulette Wheel

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: Spanish Roulette Wheel

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His computers offer bets daily, from which he expects to earn some 15, euros a month, part of which will go to the investors and the remainder to a retirement fund. It took him a year to study how and what to program: "a degree in sports betting," he calls it.

Though he will be 65 in June, there are a lot of unexplained gaps on his résumé. Gonzalo is the patriarch of the Pelayo clan, a family who shot to fame in the s for designing a statistical-based method for winning on the roulette wheel.

According to the family's estimates, they won some million pesetas 1. So Gonzalo and his son Iván wrote in La fabulosa historia de los Pelayo or, The fabulous history of the Pelayos , published by Plaza y Janés.

Their discovery was accidental. Gonzalo had sent his nephew to the casino to learn the ways of the croupiers. He wanted to study their "ways of dropping" in the hopes of determining a pattern in the path, bounces and final resting place of the ball.

His nephew took down numbers and dealers' names; Gonzalo analyzed the data on a program on his computer. That was when he discovered that some numbers come up a lot more often than others, a tendency that had nothing to do with the dealer and everything to do with defects in the manufacture and leveling of the tables.

His hypothesis: "If Swiss watches and NASA rockets have imperfections, then so do roulette wheels. These were the times of the get-rich-quick schemes, of the Seville Expo and the Barcelona Olympics.

The patriarch decided to try his luck at roulette following a series of business failures, he recalled recently in an interview along with his children, Iván and Vanessa.

He has tried his hand at most everything: from radio announcer to matador manager. In the s, he had a go at the movie industry. His second movie, Vivir en Sevilla or Living in Seville, received the following review from critic Fernando Trueba: "Clumsy dialogue and too calculatedly avant-garde.

Next, García-Pelayo opened a nightclub in Seville, where as DJ, he played Pink Floyd and Frank Zappa. He went underground after a judicial order closed the establishment down on rumors that minors were using drugs in its backrooms.

He moved onto the recording industry, discovering artists such as Triana and María Jiménez. In total, he left his signature on some albums, including some by Luis Eduardo Aute, Gato Pérez and Joaquín Sabina.

The latter singer dedicated a few lines to García-Pelayo in his well-known song, 19 días y noches or, 19 days and nights , including: "Yesterday, the doorman threw me out of the Torrelodones casino.

García-Pelayo branched out into producing TV programs, and had a few hits, but he shut down his company after he was accused of fleeing to Brazil, he says, and by that point, they were no longer taking his calls in the music world.

So he started looking for a new gig, "beyond the limits of luck," as he calls it. After his first few hypotheses on roulette tendencies, García-Pelayo formed a team led by his son, Iván, a recent philosophy graduate and musician he composed Africanos en Madrid or, Africans in Madrid.

There wasn't anybody over 26 years old in the first group. Though the figures and dates are now blurred, as often occurs in legends, after a "few months" recording numbers and working with the data, betting began in earnest in the fall of According to the book, they won close to "a million pesetas a day" in the first month.

They played every day, from 5pm to closing. They are interrupted by the sound of their father's cellphone ringing - the Beatles' Eleanor Rigby is the ring tone, and he comments that he would like to see a movie which portrays his clan like the Liverpool quartet, with "producer Phil Spector hovering in the background.

And the preceding scenes, or a version of them, kick off the The Pelayos by director Eduard Cortés the movie premieres on April in the role of Iván.

Though the film mixes fact and fiction, the script accurately reflects the clan's hostility toward the managers of the Torrelodones casino. The family was involved in long-drawn-out court case against these executives that started when they were kicked out of the establishment in for committing what the casino termed "gaming irregularities.

The bad guy in the movie is a malicious casino manager called La Bestia The Beast , played by Eduard Fernández. The movie doesn't say which casino he works for, but all of this attention has understandably caused concern and anticipation among management at the Madrid casino, who were not consulted by the movie's scriptwriters.

They represent just another story among the more than 18 million visitors we get here. We looked into whether they had some sort of advantage over the other players, and we fixed the imperfections in the tables. He tiptoes around the subject of the expulsions.

He doesn't know what the family's total winnings amounted to. He says they never - "no way" - broke the bank. Jesús Marín, pit boss in the time of Pelayos, and current games director, adds, "They never played a lot of numbers, and they always played the same ones.

That was when he discovered that some numbers come up a lot more often than others, a tendency that had nothing to do with the dealer and everything to do with defects in the manufacture and leveling of the tables.

His hypothesis: "If Swiss watches and NASA rockets have imperfections, then so do roulette wheels. These were the times of the get-rich-quick schemes, of the Seville Expo and the Barcelona Olympics.

The patriarch decided to try his luck at roulette following a series of business failures, he recalled recently in an interview along with his children, Iván and Vanessa.

He has tried his hand at most everything: from radio announcer to matador manager. In the s, he had a go at the movie industry. His second movie, Vivir en Sevilla or Living in Seville, received the following review from critic Fernando Trueba: "Clumsy dialogue and too calculatedly avant-garde.

Next, García-Pelayo opened a nightclub in Seville, where as DJ, he played Pink Floyd and Frank Zappa. He went underground after a judicial order closed the establishment down on rumors that minors were using drugs in its backrooms.

He moved onto the recording industry, discovering artists such as Triana and María Jiménez. In total, he left his signature on some albums, including some by Luis Eduardo Aute, Gato Pérez and Joaquín Sabina.

The latter singer dedicated a few lines to García-Pelayo in his well-known song, 19 días y noches or, 19 days and nights , including: "Yesterday, the doorman threw me out of the Torrelodones casino.

García-Pelayo branched out into producing TV programs, and had a few hits, but he shut down his company after he was accused of fleeing to Brazil, he says, and by that point, they were no longer taking his calls in the music world.

So he started looking for a new gig, "beyond the limits of luck," as he calls it. After his first few hypotheses on roulette tendencies, García-Pelayo formed a team led by his son, Iván, a recent philosophy graduate and musician he composed Africanos en Madrid or, Africans in Madrid.

There wasn't anybody over 26 years old in the first group. Though the figures and dates are now blurred, as often occurs in legends, after a "few months" recording numbers and working with the data, betting began in earnest in the fall of According to the book, they won close to "a million pesetas a day" in the first month.

They played every day, from 5pm to closing. They are interrupted by the sound of their father's cellphone ringing - the Beatles' Eleanor Rigby is the ring tone, and he comments that he would like to see a movie which portrays his clan like the Liverpool quartet, with "producer Phil Spector hovering in the background.

And the preceding scenes, or a version of them, kick off the The Pelayos by director Eduard Cortés the movie premieres on April in the role of Iván.

Though the film mixes fact and fiction, the script accurately reflects the clan's hostility toward the managers of the Torrelodones casino. The family was involved in long-drawn-out court case against these executives that started when they were kicked out of the establishment in for committing what the casino termed "gaming irregularities.

The bad guy in the movie is a malicious casino manager called La Bestia The Beast , played by Eduard Fernández. The movie doesn't say which casino he works for, but all of this attention has understandably caused concern and anticipation among management at the Madrid casino, who were not consulted by the movie's scriptwriters.

They represent just another story among the more than 18 million visitors we get here. We looked into whether they had some sort of advantage over the other players, and we fixed the imperfections in the tables. He tiptoes around the subject of the expulsions. He doesn't know what the family's total winnings amounted to.

He says they never - "no way" - broke the bank. Jesús Marín, pit boss in the time of Pelayos, and current games director, adds, "They never played a lot of numbers, and they always played the same ones. They usually won, but their story has been exaggerated. It was immediately discovered that the roulette tables had a pattern; so first the wheels were switched from one table to another, then the entire tables were replaced.

They played three or four weeks in total. One former croupier, who prefers to remain anonymous, remembers that the Pelayos' winning streak happen to coincide with a labor dispute between management and staff over an annual 2. That probably was a factor. One of the tables, table 13 or 14, was in bad shape.

The wheel hadn't been properly leveled, and they discovered this by watching and taking notes. That is where they had their big wins, about million pesetas. But their method never worked as well in other casinos. The book mentions other wins in Vienna 14 million pesetas in one night , Amsterdam almost 13 million and 40 million in Lloret de Mar, where the movie was filmed.

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